Our First Lookbook
It has been quite a journey to reach this stage.
Working with herders is something special. They are a unique breed of people — down to earth, hardworking, and easy-going — qualities I deeply value and ones I also recognise in the Dales farmers I grew up amongst. Communication in Mongolia, however, is never straightforward. The herders’ first priority is always their livestock. They are busy people with little sense of urgency, often moving camp or without signal, and since khullu is only harvested once a year, coordinating can be a challenge.
The local farmers here in Yorkshire are easier to reach, though even our traditional hill farms are changing. Upland horned sheep, once the backbone of the dales, are fewer, and with them the Bluefaced Leicester tups that were used to breed larger lambs. Warmer winters have altered what sheep are kept, and Bluefaced Leicesters are less common now. I considered other breeds, but always returned to the Leicester — its fibre length is perfect for mixing with khullu, its shine complements it beautifully, its light colour takes dye well, and it holds a personal connection for me. I grew up with them, though I must admit, my heart still leans toward the Dalesbred.
At first, I was determined to use natural plant dyes. I believe in keeping things as natural as possible. But I soon realised that while plant dyes are beautiful, they are also fragile. They fade in sunlight and can be inconsistent, which felt at odds with creating a product made with such care — a scarf designed to be worn and cherished for years. I’ve since chosen dyes that sit within the same natural palette, but that are stronger, more reliable, and able to last the test of time.
Trial and error
This whole project has been a family effort. My partner carefully restored my loom, replacing worn parts, adding new heddles, and even building me a warping board to my own specifications. He cleaned every slot in the reed until it shone, and in the process learned more about weaving than he ever expected. My son Jacob has been behind the camera, shaping the photos and the website and providing plenty of laughter along the way, especially during clipping time and the modelling sessions with my nephew and Em.
With their help, we have finally reached this point.Â
